Never seen this on a VHS tape before!

This is hilarious, first time I’ve ever seen this on a VHS tape. 

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We’ll be featuring this film at our Early April Fool’s special, you’ll have to come along on the night to find out what it is. We can promise it’ll be unique! 

Ben & Arthur

If there’s one film that deserves the be a contender to Tommy Wiseau’s The Room for Worst Film Of All Time then it really has to be Sam Mraovich’s feature film Ben & Arthur. Interestingly Ben & Arthur also holds the distinction of being one of the very few films that we’re actually shown twice at The Duke, a sign of just how incredibly entertaining this film is.

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Made in 2002, a year before The Room, we stumbled up this cinematic outrage while browsing the Internet Movie Database Bottom 100, it’s one of the few films that truly deserves to be there, you see it’s simply inept in every single possible way. Many of the other films in that list are quite professionally made, which for us completely negates their spot on the list, but when it comes to Ben & Arthur you’ve got a film that simply defies any sort of formal filmmaking, it simply seems to exist in a world of its own, created from sheer magic by its mastermind: director, writer, producer, star Sam Mraovich.

Here’s Evrim‘s view on the film: 

“I knew I’d found one of my favourite films ever when Sam Mraovich’s Arthur goes for a job at strip joint and auditions. That scene captured every single thing I have ever loved about the film.  Ben & Arthur is special – it belongs in a category of films where the usual obstacles that would stop most of us dead in our tracks are gamely conquered by a team of people who work hard to bring a vision to the screen. 

Never in my entire movie-going career have I felt the necessity to belittle a movie – the charm of these special titles do not lie in the fact that it’s easy to laugh at them but rather in the fact that they defy everything we hold dear about filmmaking – like two fingers up at every rule devised ever. 

What’s Ben & Arthur? It’s a thriller, a social commentary, a love story, a discourse on religious obsession – it’s a singular vision delivered through a tunnel so warped that no one emerges unscathed – it’s a brilliant entry into the magnificent world of its director, an uneasy journey which everyone owes to themselves to take once. 

Most of all it’s one of my favourite special films – a one-kind-of-magic that will never repeat anywhere in the world – a world of picnic table churches, cardboard stained glass windows, melting guns, closeted Christian fanatics, disappearing lawyers and of Ben and his wonderful partner Arthur.

Watch it with someone you love as the old trade ads used to say.”

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Now a great source of information about Sam and his work is the amazingly basic Ben & Arthur website that still exists over at Angelfire. On it you can find the original Ben & Arthur script, other unproduced scripts by Sam, including the truly incredible The Attorney, along with the really big news that Sam has actually shot and completed another film: Steve’s Hollywood Story. Sadly not even a still from this film seems to exist anywhere and we’ll just have to hope the one day this sophomore effort from Sam emerges somewhere. 

You’ll also find an interesting recurring theme that seems to dominate the website; that of Sam trying to get his films nominated for Oscars, his requests for Academy members to support his films litter the website. One thing’s for sure, if there was an Oscar award for sheer entertainment value, Ben & Arthur would actually stand a fairly strong chance of winning. To Sam we salute you!

Jigoku & the Korean Film Festival

All this week we’ve been looking at classic Asian Action and martial arts screenings that have taken place in London, all in the build up to our own Shaw Brothers Tribute this Monday night. Today for our final entry we’re hitting you with two great events in one. First up it’s the Jigoku All Night Kung Fu event from back in 2002, at the much missed The Other Cinema.

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This all-nighter was put on as part of the Weird World Cinema Season, which ran from 23rd to 31st May 2002 at The Other Cinema. It’s possible this season was set up to tie in with the Mondo Macabro TV show with ran on Channel 4 around the same time but I can’t be sure about that. I didn’t make it along to the all-nighter, which is a shame, but I always loved their selection of films for the night: Demon Strike, Enter The Fat Dragon, Hells Wind’s Staff and Born Invincible.

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But what I did see at the festival was the 1967 Spaghetti Western Bandidos, directed by Massimo Dallamano. Now I say I saw this, but I’ll be honest and say it ranks the worst cinema viewing experience I’ve ever had. The print was the worst condition I’ve ever seen anything in, I don’t mind scratches, splices or a red print, but this had everything in the worst shape I’ve ever seen. The sound was drowned out by a huge hiss, the picture was scratched beyond anything I’ve ever seen before, but the worst part was that The Other Cinema didn’t have the correct anamorphic lense for the projector, so the entire film was screened in the wrong ratio.

10 out of 10 for finding the print and programming it, but there comes a time when you just have to say a print has passed its screen life and retire it. I went out of the screening to ask if they could change the lense, only to find someone else already out there asking the same thing! Still any cinema experience is fun and at least I ended up with a great worst screening experience. I hope the kung fu all-nighter went off better, I do wish I could have made it along to that one. I think the Jigoku event was a one-off, I never saw anything from them again and I’ve never found out who actually put it all together, but it was a great idea and one of those things I’d always wish I watched more at, as long as the prints had been better though.

Now the Korean Film Festival is a very successful season that runs here in London every year, it’s really grown over the years and manages to secure big names stars and a great selection of new Korean films. What we’re going to look at though is one very specific things about it, the fact that for a couple of years all their films used to be FREE ENTRY!

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Yes when the festival was at The Prince Charles Cinema they used to let everyone in free, which of course lead a massive turn out, with huge queues stretching all the way back into Leicester Square, all of which made actually getting a very challenging experience. But it was worth, just to see the incredible Taegukgi (aka Brotherhood) on the big screen with a completely packed house! After a couple of years the festival reverted back to regular tickets, but the utterly fantastic idea of having all films playing for free really was a great way to get a real buzz going around the festival, we probably won’t see anyone else doing that again for a really long time!

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